Torchwood Reboots & Zombies
In an interview with SFX, he said: “People are wondering, ‘Is it a reboot or a relaunch?’” he explain. “No: it’s literally the same show, but transplants itself to America. It’s absolutely based on the story, so we haven’t had to relaunch it, to say ‘Who is Gwen?’, and we haven’t had to say ‘How does Rex fit into this?’ because he’s a CIA agent – they only operate abroad. I did wonder about that – is it gonna look strange when the rushes come in, is it gonna be this weird combination? But it’s written to clash. I mean, Rex is the most swaggering, confident, brilliant American, and Gwen is not a shrinking violet. Put those two together and it’s just combustible! These people don’t naturally fit together, but the story makes it absolutely inevitable that they have to be together. So I think we’ve got it right.”
On the plot, he spoke more about the nature of people not dying and how far that goes.
“In episode one there’s a soldier who’s blown up,” says Davies. “The body is in bits, stretched out across three tables, and he’s still alive! And it’s revolting and disgusting, and at the same time, it’s kinda great – you’ve got all the thrill of a zombie movie, but they’re not dead, y’know? The blessing of being a zombie is that you’re kinda brainless and you just wanna eat brains. These people are still alive and you cannot kill them.”
Would you have to annihilate every atom of their body to get rid of someone?
“Exactly,” Davies says, “and those decisions are where the whole drama’s heading. By episode five they start to categorise what life is, and once human beings are in charge of what life and death is, that’s open to corruption and to some terrible things happening…”
